The Society of the Spectacle
The Society of the Spectacle
Chapter 9 "Ideology Materialized"
Hegel, The Phenomenology of Mind
Ideology is the basis of the thought of a class society in the conflict-laden course of history. Ideological facts were never a simple chimaera, but rather a deformed consciousness of realities, and in this form they have been real factors which set in motion real deforming acts; all the more so when the materialization, in the form of spectacle, of the ideology brought about by the concrete success of autonomized economic production in practice confounds social reality with an ideology which has tailored all reality in terms of its model.
When ideology, the abstract will and the illusion of the universal, is legitimized by the universal abstraction and the effective dictatorship of illusion in modern society, it is no longer a voluntaristic struggle of the partial, but its victory. At this point, ideological pretention acquires a sort of flat positivistic exactitude: it is no longer a historical choice but a fact. In this type of assertion, the particular names of ideologies have disappeared. Even the role of specifically ideological labor in the service of the system comes to be considered as nothing more than the recognition of an "epistemological base" that pretends to be beyond all ideological phenomena. Materialized ideology itself has no name, just as it has no expressible historical program. This is another way of saying that the history of ideologies is over.
Ideology, whose whole internal logic led to "total ideology" in Mannheim's sense the despotism of the fragment which imposes itself as pseudo-knowledge of a frozen totality, the totalitarian vision--is now completed in the immobilized spectacle of non-history. Its completion is also its disintegration throughout society. With the practical disintegration of this society, ideology--the final unreason that blocks access to historical life--must disappear.
The spectacle is ideology par excellence, because it exposes and manifests in its fullness the essence of all ideological systems: the impoverishment, servitude and negation of real life. The spectacle is materially "the expression of the separation and estrangement between man and man." Through the "new power of fraud," concentrated at the base of the spectacle in this production, "the new domain of alien beings to whom man is subservient... grows coextensively with the mass of objects." It is the highest stage of an expansion which has turned need against life. "The need for money is thus the real need produced by political economy, and the only need it produces" (Economic and Philosophical Manuscripts). The spectacle extends to all social life the principle which Hegel (in the Realphilosophie of Jena) conceives as the principle of money: it is "the life of what is dead, moving within itself."
In opposition to the project summarized in the Theses on Feuerbach (the realization of philosophy in praxis which supersedes the opposition between idealism and materialism), the spectacle simultaneously preserves, and imposes within the pseudo-concrete of its universe, the ideological characteristics of materialism and idealism. The contemplative side of the old materialism which conceives the world as representation and not as activity--and which ultimately idealizes matter--is fulfilled in the spectacle, where concrete things are automatically the masters of social life. Reciprocally, the dreamed activity of idealism is equally fulfilled in the spectacle, through the technical mediation of signs and signals-which ultimately materialize an abstract ideal.
The parallel between ideology and schizophrenia, established by Gabel (La Fausse Conscience) must be placed in this economic process of materialization of ideology. Society has become what ideology already was. The removal of praxis and the anti-dialectical false consciousness which accompanies it are imposed during every hour of daily life subjected to the spectacle; this must be understood as a systematic organization of the "failure of the faculty of encounter" and as its replacement by a hallucinatory social fact: the false consciousness of encounter, the "illusion of encounter." In a society where no one can any longer be recognized by others, every individual becomes unable to recognize his own reality. Ideology is at home; separation has built its world.
"In clinical charts of schizophrenia," says Gabel, "the decay of the dialectic of totality (with dissociation as its extreme form) and the decay of the dialectic of becoming (with catatonia as its extreme form) seem solidly united." The spectator's consciousness, imprisoned in a flattened universe, bound by the screen of the spectacle behind which his life has been deported, knows only the fictional speakers who unilaterally surround him with their commodities and the politics of their commodities. The spectacle, in its entirety, is his "mirror image." Here the stage is set with the false exit of generalized autism.
The spectacle obliterates the boundaries between self and world by crushing the self besieged by the presence-absence of the world and it obliterates the boundaries between true and false by driving all lived truth below the real presence of fraud ensured by the organization of appearance. One who passively accepts his alien daily fate is thus pushed toward a madness that reacts in an illusory way to this fate by resorting to magical techniques. The acceptance and consumption of commodities are at the heart of this pseudo-response to a communication without response. The need to imitate which is felt by the consumer is precisely the infantile need conditioned by all the aspects of his fundamental dispossession. In the terms applied by Gabel to a completely different pathological level, "the abnormal need for representation here compensates for a tortuous feeling of being on the margin of existence."
If the logic of false consciousness cannot know itself truly, the search for critical truth about the spectacle must simultaneously be a true critique. It must struggle in practice among the irreconcilable enemies of the spectacle and admit that it is absent where they are absent. The abstract desire for immediate effectiveness accepts the laws of the ruling thought, the exclusive point of view of the present, when it throws itself into reformist compromises or trashy pseudo-revolutionary common actions. Thus madness reappears in the very posture which pretends to fight it. Conversely, the critique which goes beyond the spectacle must know how to wait.
Emancipation from the material bases of inverted truth this is what the self-emancipation of our epoch consists of. This "historical mission of installing truth in the world" cannot be accomplished either by the isolated individual, or by the atomized crowd subjected to manipulation, but now as ever by the class which is able to effect the dissolution of all classes by bringing all power into the dealienating form of realized democracy, the Council, in which practical theory controls itself and sees its own action. This is possible only where individuals are "directly linked to universal history"; only where dialogue arms itself to make its own conditions victorious.
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